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The character is well developed and the events follow smoothly one after the other. More importantly, Augustus is highly idealized in this book. So much so in fact, that with all the angst and success in his life, the reader is eased into sympathizing with him on every occasion. It is a very selective history, one aimed to popularize Augustus no doubt. A view that was somewhat shattered when reading the true, historical Caesar.
All in all, it's good fun, and the realistically described Roman settings, and supporting characters comes across without hiccups.
The writing style however, left something to be desired, though the use of Augustan expressions makes up for it.
Besides, he was a winner, and winners never make good characters for drama. Everything seems so easy for him; he is so fortunate all the time, his enemies fall like flies in front of him. With a slap of his fingers the Roman Empire is solidly built. Why would such a lucky guy, we wonder, bother to write about his life instead of enjoying it? On the other hand, Claudius and Tiberius, both successors to him, were pathetic, therefore humans; they were splendid characters, the former in "I, Claudius", by Robert Graves, the latter in "Tiberius", by the same Allan Massie.
But the unattractiveness of the main character is not the only problem. Like Augustus himself, Massie's novel lacks emotion; it is cold, with no surprises. Verisimilitude seems to have been the author’s main concern, that's why he took the trouble to presume, in a long and unnecessary introduction, that those memoirs are real ones, discovered in a monastery and so on. Curiously enough, that introduction, apart from Augustus' very easy victories, is the less believable part of the whole book.
There is one moment, however, in which we sympathize with the main character: when he candidly confesses having suffered sexual abuse by Antony, thus revealing the real motive for his hatred towards Cleopatra's lover. But it's the only one in the whole story. Not enough.